Book #135: The Jennifer Morgue (2006)

author: Charles Stross
language: English
length: 349 pages (main story) + 28 pages (extra short story)
finished reading on: 5 May 2017

It’s been a while, but I read another of Charles Stross’s novels about a year and a half ago – Neptune’s Brood – and I bought this book fairly soon afterwards, but didn’t get around to giving it a proper read until this year.

Like Neptune’s Brood, the prose is pretty thick and the vocabulary is quite technical at the best of times. There are words in there that I had to look up, and others that I had to reread several times to get a good sense of what was meant. So it took me a bit of effort to finish the book.

The book is about a guy called Bob Howard who is a member of a super-covert section of MI6 that deals with the paranormal. He’s a computer nerd through-and-through, very attached to what in 2006 must have been an early prototype of a smartphone and tablet PC. I was surprised, indeed, that those words were used. This is partly why the book has a lot of higher-level technical vocabulary, because the author doesn’t shy away from spelling out exactly how his character uses Linux shells and various kinds of scripting languages to carry out his occult tasks.

It’s actually the second book in the series, although the first book was actually two novellas bundled together, so this is the first full-length novel. There are details here and there that allude to previous events, such as when the main character met his girlfriend. I felt at these points I might have missed out, but they ultimately weren’t so important.

The main character is sent on a mission to the Caribbean by his handlers, but they don’t really tell him what the mission will involve, in a spectacular double-bluff which only becomes clear after several big reveals. He is “entangled” to an underwater-demon-woman, meaning that they share thoughts – this kind of “talking” is indicated with stars instead of quotation marks. She can also make him orgasm and vice-versa, meaning that the humour takes an early adult turn, and they find they can share abilities, like being able to breathe underwater. There are some Cthulhu-esque underwater tentacle monsters that are referred to by codewords – the titular Jennifer Morgue is one such codeword. There is also a Blofeld-esque villain, and a lot of the book explicitly satirizes James Bond tropes – indeed, the characters discuss the tropes openly.

In general, I liked it. I thought it was funny, and I felt smart for understanding some of Stross’s more exotic turns of phrase, even though this meant the book was difficult to read. And although it was a bit bawdy at times, it also stayed on the right side of leery about its female characters – I’ve read some other books recently with straight male protagonists that were overly fixated on their breasts. This also managed to subvert some gendered expectations of the characters, especially in a particular one of the endgame twists.

It also contained an extra short story called Pimpf, which I was able to read in one sitting, about someone being sucked into an online multiplayer game, in the style of World of Warcraft. It was more nerdy than the main story, and was but the germ of an idea – but it was somewhat like a better-written version of Ready Player One, with added office pettiness.

So if you like sci-fi/fantasy liberally peppered with nerdy computer references, this might be for you. I would stop short of recommending it to everyone, though – I think you need a certain level of interest in the topics.

Film #137: Skyfall (2012)

skyfall05Director: Sam Mendes
Language: English
Length: 137 minutes
Watched on: 31 Dec 2012

I was never into James Bond as a kid, to be honest. I think this is the first time I’ve basically watched a whole one, except even then, I didn’t find it interesting enough to retain any details in memory about the plot.

I also had a weird time understanding some of it because of the way the Bond series has progressed: evidently, the series was rebooted with Casino Royale, meaning that Bond is meeting a lot of characters for the first time, like Q, who I’d assumed was a regular fixture of the series already. This is compounded by the fact that all the actors have been replaced since the reboot, except, weirdly, Judy Dench’s character M. I still don’t really get it – like, is it now a different timeline? Are they prequels?

Am I thinking too much into it? I’ve heard that you’re not supposed to think about Bond films – not that I think that’s an agreeable or healthy attitude to have towards films of any sort.

It’s probably kind of sad, then, that I watched this on New Year’s Eve, but only three months later any other details, except for a creepy-gay villain who tries to seduce Bond, completely escape me. It’s probably sad, for that matter, that I keep leaving it so long to write these reviews. Anyway, I guess I’m not cut out for this series. Maybe next time.